pride of lopinot: Supernovas, of Surrey Village, Lopinot, performs

on Tuesday during the preliminary round of the National Panorama champioships. The band is playing “Dear Promoter”, arranged by Amrit Samaroo. Conducting the band was Ben Jackson. —Photo: FIRST CITIZENS

There will be no holding back from steelbands at the National Panorama semi-final on Sunday, at Carnival City, Queen’s Park Savannah, Port of Spain.

That was the word from two large-band title contenders, following a week of preliminary panyard judging.

Sixteen medium and 17 large bands have advanced to Sunday’s semi-final. They will now go head-to-head for a spot in the National Panorama final on Carnival Saturday.

Manager of Exodus Steel Orchestra, Ains­worth Mohammed said with competition so tight, the St Augustine band cannot afford to “hold back” anything for the Carnival Saturday final.

“Every stage of the competition is critical and nothing is held back for the ‘next’ one,” Mohammed told the Express yesterday.

Supernovas Steel Orchestra ace arranger Amrit Samaroo echoed Mohammed’s philosophy, saying his band will also be leaving nothing to chance when they face the judges.

“We take every round as a final. The semi-final is a stepping stone to the final. We await the feedback from the judges to see what they have on the scoresheets to see how we could improve on the marks,” Samaroo said.

Panyard vibes nice

Exodus and Supernovas both attracted traffic-blocking crowds to their respective Eastern Main Road and Lopinot camps on Tuesday evening for panyard preliminary judging.

There was standing room only at the Exodus amphitheatre as a large, enthusiastic crowd occupied every inch of the concrete seating a full hour before the judges’ sche­duled 8 p.m. arrival. With a fully stocked bar and souse, geera meats, and roasted and boiled corn aplenty, they had more than enough distractions to pass the time.

It proved well worth the wait. Terrance “BJ” Marcelle’s arrangement of Kees Dieffenthaller and Voice’s (Aaron St Louis) “Dear Promoter” earned Exodus 270 points and the top spot in the preliminary round.

Up Lopinot, a later judging time of 9 p.m. didn’t deter the entire community from clogging the roadway in support of their band. Supernovas also chose to play “Dear Promo­ter” for the judges. They finished joint fifth with Len “Boogsie” Sharpe’s Phase II Pan Groove on 267 points.

“We felt good. We know there is some work to go in still. We’re quietly confident, but working on what we have to work on,” Samaroo said yesterday.

The Supernovas arranger, son of legendary BP Renegades arranger Jit Samaroo, said having full community support means everything to his band.

“The support is always necessary, needed and wanted. We are a community band operating in the small community we are in, but we also touch other communities like lower Lopinot, Arouca and up and down the East-West Corridor. We appreciate all the support we got (on Tuesday night). It was really a nice atmosphere,” he concluded.

BP Renegades, in search of their second National Panorama hat-trick, will be the band on everyone’s radar on Sunday. The Duvone Stewart-led, Charlotte Street musical outfit finished half a point behind Exodus, with their rendition of Skinny Banton’s “Wrong Again”.

Courts Sound Specialists will meanwhile be looking to hold on to their slender lead in the medium band category. Led by Seion Gomez, the band topped the prelims with Plain Clothes (Clinton Moreau) “Ah Feelin to Rock”.

The Laventille-based band is being hounded by Curepe Scherzando, playing Farmer Nappy’s (Daryl Henry) “My House” and Katzenjammers playing Merchant’s (Dennis Williams Franklyn) “Caribbean Connection”. Both bands finished a point behind on 269 points.

National Panorama semi-finalists

Medium Bands

1. Courts Sound Specialists of Laventille—“Ah Feelin’ to Rock”—270

2. Curepe Scherzando—“My House”—269

Katzenjammers—“Caribbean Connection—269

4. Siparia Deltones—“Festival Song”—268

5. Pan Elders—“Whoa Donkey”—266

6. Sforzata—“Sailing”—265

Potential Symphony—“All Dem Tobago Gyul”—265

Carib Dixieland—“Dis Party Is It”—265

9. Hatters—“Trouble In The Morning”—263

Pamberi—“Wrong Again”—263

11. Tornadoes—“All Dem Tobago Gyul”—262

12. NCC Couva Joylanders—“Is My Turn”—261

13. NGC Steel Xplosion—“Soca Global”—260

14. Sangre Grande Cordettes—“Breakaway”—259

Trinidad Valley Harps—“De Party Now Start”—259

San City Steel Symphony—“Dear Promoter”—259

Large Bands

1. Republic Bank Exodus—“Dear Promoter”—274

2. BP Renegades—“Wrong Again”—273.5

3. Desperadoes—“More Sokah”—269

4. Invaders—“Feelin’ It”—268

5. Phase II Pan Groove—“Twenty 20 Vision”—267

Supernovas—“Dear Promoter”—267

7. Trinidad All Stars—“More Sokah”—266

8. RBC Redemption Sound Setters—“Wrong Again”—264

9. Skiffle Bunch—“Wrong Again”—263

10. Birdsong—“More Sokah”—261

Fonclaire—“Dear Promoter”—261

12. Buccooners—“Feelin’ It”—260

13. La Brea Nightingales—“Feelin’ It”—259

14. Angel Harps—“More Sokah”—259


In 1986 David Michael Rudder became a global calypso superstar.

In his debut year as a solo act, the then 32-year-old Rudder created history by becoming the first and only performer to win every Carnival calypso title possible including: the Young King, National Calypso Monarch, Road March) and Panorama competition -- Trinidad All Stars steel orchestra won the National Panorama competition with Rudder’s “The Hammer”.

It would be an understatement to say that Angelina Jolie is put through the wringer in writer-director Taylor Sheridan’s new film Those Who Wish Me Dead.

In just 100 minutes, she is beaten and bruised by nature, men and even some of her own choices — like a crazy stunt involving a parachute and a pickup truck. Jolie has always thrown herself into physically demanding roles, but her Montana firefighter Hannah Farber may take the cake for most cuts and shiners sustained in 24 hours.

The dark clouds are slowly rolling away for creatives in the US, among them, Caribbean entertainers who’ve been held up for over a year. For many in the entertainment industry around the world, the pandemic has caused devastation. International reports suggest that other than the aviation industry, the entertainment industry has been hardest hit. There is a glimmer of light now however, and for one Caribbean creative residing in New York city, a year of introspection and silence, has stimulated creativity in the most incredible way.

There is still a lot of music left in David Rudder.

Rudder, who turned 68 on May 6, said retirement is the furthest thing from his mind, especially when there are “so much songs to write”.

“I feel ok, but two years of inactivity has had its effect. So much songs to write. I will definitely have to make up these two plus years on top of the next 30 odd to come,” Rudder said, only half jokingly, when he spoke to the Kitcharee from his Canada base on Friday.

Organisations that provide safe spaces for youths to learn, interact with their peers, and serve others are not only making an immediate contribution to their personal development, they’re also shaping Tobago’s future leaders.

The Roxborough Police Youth Club (RPYC) has been committed to youth development in Tobago for over 30 years.

THE Covid-19 virus is an equal opportunity spreader that doesn’t care about your race, religion or social status.

That’s the timely reminder in song from veteran calypsonian Brother Mudada (Alan Fortune) in the face of an alarming rising death toll and positive cases of the virus in the country. As of Tuesday there were a reported 55 deaths and 3,008 new cases of the disease for the month of May.